Roland JD-XI 37-Key Analog/Digital Synthesizer
£599.99
Roland JD-XI 37-Key Analog/Digital Synthesizer Price comparison
Roland JD-XI 37-Key Analog/Digital Synthesizer Price History
Roland JD-XI 37-Key Analog/Digital Synthesizer Description
Roland JD-XI 37-Key Analog/Digital Synthesizer: Unleash Your Creativity
The Roland JD-XI 37-Key Analog/Digital Synthesizer combines the warmth of analog sounds with the precision of digital effects. Musicians and producers alike will appreciate the versatility and power this synthesizer offers. Whether you’re a beginner or a seasoned professional, the JD-XI fits seamlessly into any studio or performance setup.
Key Features and Benefits
- 37-Key Hybrid Synthesizer: The compact 37-key keyboard is perfect for portability, while still providing a wide range of sound capabilities.
- Analog and Digital Sounds: Enjoy the best of both worlds with rich analog textures and cutting-edge digital samples, allowing for endless sound exploration.
- Built-in Effects: Customize your sound using the onboard effects, including reverb, chorus, and delay, ensuring your music stands out.
- USB Connectivity: Seamlessly connect to your computer or devices for easy integration in your setup.
- MIDI Compatibility: Connect with other musical devices, expanding your creative options.
- Lightweight and Portable: Weighing only 4.14 pounds, take your JD-XI wherever you go without the hassle.
- Gooseneck Microphone Included: Make use of the included microphone for vocal integration, enhancing your live performances.
- Durable Build: Crafted from bass wood, this synthesizer is built to last, making it a reliable companion for years.
Price Comparison Across Suppliers
When considering the Roland JD-XI 37-Key Synthesizer price, it compares favorably against competitors. The average price from various retailers ranges from $499 to $599. However, our price comparison features the latest updates, allowing you to find the best deals. Check across all suppliers to make sure you get the best value for your investment.
Trends from the 6-Month Price History
The Roland JD-XI has seen price fluctuations over the past six months. Initially priced at $599, a dip to $499 was observed during seasonal sales. As of now, it appears to stabilize around the $549 mark. This trend indicates a consistent demand for the product while still reflecting competitive pricing strategies.
Customer Reviews Summary
Overall, customer reviews of the Roland JD-XI 37-Key Synthesizer highlight its rich sound quality and ease of use. Users love the ability to switch between analog and digital modes seamlessly. Many praise its lightweight design, which makes it an excellent choice for on-the-go musicians. However, some customers have noted a learning curve associated with its features, particularly for those new to synthesizers. Despite this, the consensus is overwhelmingly positive, with an average rating of 4.5 stars on platforms like Amazon.
Explore Unboxing and Review Videos
For those interested in a deeper look, we recommend checking out related unboxing and review videos available on YouTube. These videos provide practical demonstrations and tips from fellow musicians, offering insight into the synthesizer’s capabilities in real-world settings.
In conclusion, the Roland JD-XI 37-Key Analog/Digital Synthesizer stands out in a crowded market. Its unique hybrid design, combined with its range of features and affordability, makes it an excellent investment for all skill levels. Don’t miss your chance to enhance your music creation journey!
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Roland JD-XI 37-Key Analog/Digital Synthesizer Specification
Specification: Roland JD-XI 37-Key Analog/Digital Synthesizer
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Roland JD-XI 37-Key Analog/Digital Synthesizer Reviews (8)
8 reviews for Roland JD-XI 37-Key Analog/Digital Synthesizer
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Satchcolic –
Llego todo sellado y en perfectas condiciones
James Meherg –
I love the fact each preset is split into 2 digital synths, 1 drum track, and an analog synth. Everything has been great and it’s been a lot of fun. I would definately recommend.
Cris R –
It syncs well with my other gear carrying audio and midi over usb. drum kids, analog bass and digital synths all sound good. The microphone integration is well done.
Sequencing on it is okay, but saving work can be a pain. Too easy to press one wrong button and lose something unsaved. The menu interface could be better, the LCD is very small. All things considered, it’s a very capable instrument.
Man of Sound –
There are many mini synths that comes and go and for this I must admit, Roland has done a fantastic job with the JD-xi Groovesynth.
I was very hesitant to buy this since I see so many people complain about the lack of creation and producing.
What I soon discovered after watching only 3 videos is that most only cover “quick” pattern making and not the entire structure of a complete song.
Building a complete song is extremely easy. You simply chain patterns together by saving the parameters of each pattern first, then simply copy the pattern.
Another things that is overlooked is how you can “tap” full chords or phrases using the pattern tracks.
Another important feature is many say it only has 4 tracks. That is true until you discover how to “add” a fifth track. If you take the time to discover how to use this Groovesynth (which is very easy to learn), you will soon discover the hidden secrets. The “shift” key has many hidden options.
You can also set up a permanent “template” in the system settings to allow quick song creation where you do not have to set up each pattern over and over. Create a blank pattern using the system functions like “tempo, measures, recording time, click” and other options. Then start to create your pattern. Once you have one created, simply copy and “save” to a new location. Once you have 4 or 5 patterns created, simply “chain them” together.
Another issue many have stated is the lack of sounds? Yes there are not to many until you unlock the creation tools to make the sounds and save them in empty banks. you can also download sound sets from Roland’s Axial site.
The large “dial knob” is a bit on the stiff side when selecting your desired selections like vocoder, brass, bass, seq etc. Also when you are using the vocoder and have a live mix and decide to change the big knob to another selection, you will hear the “click” when you turn it thru your speakers.
When you use the vocoder it will also “cut” off track 2 in place of the vocoder. There is a workaround for this. Record your patter first with the “vocoder” parameter fucntion turned “off”. once you record your track, enable this setting and when you switch the big knob to another selection like “synth” it will allow you to use the vocoder and track without losing the second track.
The vocoder on the Rolannd JD-xi is 100% better than the Korg Microkorg, Novation MiniNova, Roland FA and Juno DS.
The reason it is better is because of how you can change and access the parameters like effects, depth, tuning on an instant without having to go into settings. The vocoder processing chip is in my opinion more advanced.
If you need more bass or lift on the outputs signals you can change this in the system. You can also assign individual effect for each track and save them. You can turn effects on and off in real time as well.
When you first unbox the Roland JD-xi you will think (wow what a toy), then you plug it in and start to play around with it and think (wow, what a toy).
Until you learn the basic layout and template if the JD-xi you will feel that way. After about 2 hours or so you will say (WOW – this thing really kicks butt)!
Another issue many have complained from reading forums, threads, blogs & videos is the sounds feel “cheap” or don’t sound professional like the FANTOM, FA series. That is true because this is not in any way related to those workstations. This is a Groovesynth. Another issue is the “final mix” when ouput to a DAW or digital recorder again the sounds lack the feel of a mastered production.
The workaround for this is simply “add the final effects” once you complete an entire song.
If you take a bit of time to learn the “hidden” feaures and understand how the “shift” key utilizes more functions than most will tell you, you will soon find that this little Groovesynth is the bomb.
I have a couple of grooveboxes like the Roland MC 101 and the Akia Force. I love them both but they take time to learn and have more tools to use to create your songs which can overwhelm you. If you want “SIMPLE”, the the Roland JD-xi Groovesynth is for you!
With roughly 64 banks in each category you have plenty of storage space to create patterns and songs. So far I have 22 complete songs saved. You can also “offload” your song data if you lack space or memory to a PC via USB or midi.
To get around the”mini” keys I have a Roland Juno DS that I use as a main controller and the parameters form the JD-xi simply work flawlessly including, Record functions like “start, stop, Rec, Pause, Tap, Erase. Track” etc.
Roland did a very good job on how this works with other modern Roland series controllers or workstations.
I give this 5 stars and 100% production fun!
PROS:
Easy to learn layout
Powerful pattern and step sequencer
Chain patterns
Fantastic effects
Excellent vocoder (compared to Juno DS, FA)
Full integration with 3rd party DAWS like REAPER, MIXCRAFT 8,9 and Audacity.
Works with Zoom R16 & 24 for saving files
Sound engine of the JUNO series and D20
CONS:
The rubber buttons feel a bit cheap
Hard to read lettering on the dashboard
Tweak knobs feel a bit cheap (compared to FA, Juno, Yamaha)
Big dial knob is hard to turn
I am very happy to have purchased the Roland JD-xi, It is not a toy by any means and I have already updated the entire sound library. This review is from what I have learned, discovered and took the time to go “in depth” on the dashboard of the Roland JD-xi.
It is truly worth the price compared to others competitors as a minisynth. The Roland JD-xi has so many features to take advantage of.
In conclusion, you do not even need a DAW, PC or software to create complete songs as this is a stand alone Music creation Groovesynth.
Jack –
pacco originale Roland imballato con cura, arrivato nei tempi stabiliti, servizio puntuale e affidabile.
Sul synth nulla da dire, strumento interessante, versatile ma con qualche limite strutturale per via dei diversi percorsi del suono (4 parti analogiche mono o parafoniche e 4 parti digitali). Gli effetti ci sono, ma nelle parti di Total Effect la scelta si riduce a scapito (e questo è un peccato) del risultato, quindi si è obbligati a fare delle scelte di concatenazioni assurde, applicando a tutte le parti i Total FX senza poter escludere alcune di esse. Il display è veramente minimo, navigare tra i menu e fare lo scroll delle funzioni pigiando dei tasti è frustrante, mi chiedo cosa costava prevedere una rotella Jog Dial come tanti, se non tutti, i recenti synth. Il suono comunque è caldo e seducente, tipico Roland. Si poteva fare di più implementando le 450 wave digitali, penso a campioni di pianoforti decenti, mellotron, emulazioni acustiche migliori visto che il percorso digitale c’é tanto valeva sfruttarlo meglio. Le istruzioni sono lacunose e a volte poco chiare. Penso ad un neofita che ci mette le mani senza sapere nulla di sintesi: avrà certamente problemi… In un ultimo un editor per Pc/Mac sarebbe stato molto gradito. Ma Roland ha già dovuto correggere con gli overlay (etichette nere da applicare) l’errore di aver scelto un pannello lucido a specchio tanto bello quanto scomodo e delicatissimo per polvere e graffi. PS: cara Roland, a cosa serve avere una illuminazione gestibile se poi non si può salvare per ogni patch e viene applicata su tutti i suoni… ? Sarebbe stato così funzionale avere acceso a colpo d’occhio sul pannello solo le funzioni che servono in live, per ogni program… peccato davvero… Una cosa furba invece le 256 location di suoni aggiuntive su chiavetta USB che porta il totale a 512 suoni immediatamente disponibili.
Amazon Prime Fanatic –
Easy to use, fun to pay, plenty of polyphony (128 voices), excellent for making quick backing tracks/loops to play your instruments over.
I suppose if it could run off AA batteries like my Yamaha Reface CP, that would be even better but not complaining.
Vidal –
El sonido es bueno tiene efectos que son muy atractivos no suena nada 90’s, pero las teclas son muy pequeñas y es de tres octavas, ya es a criterio de las personas. Incluye cargador y micrófono. Otro dato interesante es que le puedes conectar tu guitarra y tocar directo de tu guitarra en vez de usar las teclas
Jed W –
This thing is the perfect idea machine for me. Every time I sit down to it I come up with a cool new beat.
Maybe I’ll start with the drum machine (which is amazing, the fact that this thing can be used as a drum machine with GREAT SOUNDING kits!) and lay down a simple 16, 32 or 12 beat rhythm on the pattern sequencer. (Another amazing feature, the pattern sequencer!)
Then I’ll find a bass sound, either on one of the two digital synths. Or if I’m looking for something even fatter I’ll go with the analog synth which can be tweaked and toned in a number of ways, including distortion, fuzz and other effects (which you can also do with the other three instruments.)
And then I’ll add something quirky sounding, cool or funky with one of the digital synths, or maybe both. Depending on how complex a sound I’m after. And then comes the vocal track. I don’t love the tone of my chest voice, so I’m free here to use some of the vocoder effects which sound great. And sound even better when using a third-party dynamic mic. Although the little goose-neck mic that comes with the JD XI sounds good enough most of the time.)
Sometimes some of the bass or lead parts I lay down don’t fit neatly into the sequencer (It quantitizes it for you.) So I’ll just record directly into Ableton live. And by the way, the JD XI works VERY WELL as a digital interface. And all you need is the one USB cable (supplied) and you’ve got audio or midi in, or both. And the record levels for the audio or great. It’s a nice, clean sound. I’m so pleased!
And then … if all of that isn’t enough. There’s one feature no one ever talks about, but I plugged my Fender Strat straight into the mic\line input on the back and suddenly my JD XI was an awesome guitar amp, which could be recorded directly into Ableton Live. But what was so amazing is that all of the JD XIs effects (distortion, fuzz, reverb, etc …) sounded insane with my guitar! It’s like along with everything else, I got some pedal effects! And not cheap ones, they really do sound amazing.
So if you do voice over, or vocals or whatever, this thing is a great audio interface for that as well, letting you record straight into your favorite DAW with again, just the one USB cable.
And oh yeah … if you can’t play the keyboard, just pick whatever synth sound you want and press the “Auto Note” button up by the mic and then literally sing or hum the lead part, and then the bass part. It works great.
My biggest complaint is the auto-tuning feature. And maybe I’m still doing something wrong, but it’s kinda cheesy. Also, some online videos claim you can plug in your guitar or whatever device and “warm them up” with the JD XIs resonance and cutoff knobs. But you can’t. Or at least it doesn’t work for me.
Bottom line: using Ableton Live and Ableton Push alone, my sound had leveled or maxed out. There just seemed to be something missing. It was good, but not good enough to go to the next level. Maybe it was just all to static. I needed a more organic vibe to add to the mix, plus some new fresh sounds. And the JD XI provided all of that and more. It’s my first synth, and it’s so versatile, I’m sure I’m made the right decision.